Based on the political cartoon Join, or Die published by Benjamin Franklin in 1754, the artist presents eight segments of a severed cursor-path-body, each pointing to a modern dilemma of being “colonized” in the face of screen vortex/techno-politics. At the two ends of the installation are a translucent screen pierced by a sliding, dimensionalized hand and a polarized cursor arrow, blurring and stealthily presenting the gorgeous desires of the screen gazer and a split and ghostly self-portrait.